In an age where our phones are shaved down to seamless glass slabs and our laptops are thinner than a notebook, something peculiar is happening. People are rediscovering the joy of bulky, tactile, unapologetically physical technology. The very devices we once abandoned for their inefficiency are now being sought out for their humanity. This isn’t just nostalgia; it’s a quiet rebellion against the sterile, frictionless world of modern tech. We’re falling in love with clunky tech again, not despite its flaws, but because of them.
The signs are everywhere. Film cameras are experiencing a renaissance, with prices for vintage models skyrocketing. Sales of vinyl records have outpaced CDs for over a decade. Mechanical keyboards, with their satisfying click-clack, have become a multi-billion dollar industry. We’re craving technology that engages our senses, not just our thumbs. The cold, minimalist perfection of our current devices has left us hungry for something with warmth, character, and a little bit of heft.
The Joy of Tactile Feedback: Why Buttons Beat Touchscreens
There’s a profound satisfaction in physical interaction that no touchscreen can replicate. The definitive click of a camera shutter, the solid thock of a mechanical keyboard switch, the reassuring chunk of a car’s gear shift—these aren’t just functional mechanisms; they’re sensory experiences. They ground us in the physical act of creating or controlling something.
Modern touchscreens, for all their versatility, are sensory deserts. Swiping on glass is the same gesture whether you’re scrolling through cat videos or transferring money. There’s no texture, no resistance, no physical confirmation. Our brains receive remarkably little feedback, making the experience feel weightless and, ironically, less memorable. The resurgence of devices with proper buttons and dials isn’t about resisting progress; it’s about seeking a more fulfilling and mindful interaction with our tools.

There’s a certain dignity to technology that was engineered to survive a nuclear war. The classic IBM Model M keyboard, originally manufactured in the 1980s, is still in daily use by programmers and writers today. A Nikon F3 film camera from 1980 will still function perfectly, needing only the occasional new roll of film. These devices were built with metal gears, hardened plastics, and switches rated for millions of actuations.
Contrast this with our modern reality of glued-in batteries, non-repairable designs, and software that’s deliberately slowed down after a few years. The clunky tech of yesteryear represents a different philosophy: buy it once, master it, and keep it for life. In an era of overwhelming environmental concern, this longevity isn’t just charming—it’s deeply responsible. Using a 40-year-old camera isn’t just a stylistic choice; it’s a sustainable one.
The Freedom of Limitations: How Constraints Spark Creativity
Modern smartphones are technological marvels, capable of shooting 4K video, editing it, and broadcasting it to the world. So why do so many filmmakers still choose to shoot on grainy 16mm film or use vintage lenses with “undesirable” quirks? Because limitations are the mother of invention.
A film camera with only 36 exposures forces you to think before you shoot. A synthesizer with limited presets encourages you to twist knobs and create unique sounds. A notebook, the ultimate “limited” technology, forces linear, deliberate thought without the distraction of a back button or a formatting menu. This constrained environment trains focus and breeds innovation. When you can’t rely on infinite “undo” or computational tricks, you become a more careful, intentional creator. The limitation isn’t a barrier; it’s the very thing that makes the work interesting.
The Unplugged Ritual: The Mindfulness of Analog Processes
Shooting a roll of film is a ritual. You load it carefully, you meter your light, you compose with purpose. Then you wait—days or weeks—to see the results. This delay isn’t an inconvenience; it’s a feature. It builds anticipation and creates a healthy distance between the act of creation and the moment of judgment.
Similarly, the ritual of placing a needle on a vinyl record, of flipping through pages of a physical book, of writing with a fountain pen—these are deliberate, mindful acts. They can’t be rushed. They demand your full attention. In a world of instant gratification and endless digital multitasking, these analog rituals force a slower, more present pace. They are a form of meditation in a hyper-connected world.
The return to clunky tech isn’t a Luddite rejection of the new. It’s a more sophisticated, selective embrace of technology. It’s about choosing tools that serve our humanity, our creativity, and our planet—even if that means sacrificing a little convenience. So the next time you feel the urge to acquire the latest, thinnest, most feature-packed gadget, ask yourself: would something older, slower, and more substantial actually bring me more joy? You might be surprised by the answer.


















